AISHATH HUDA
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  • Work
    • WATER AS METHOD >
      • Eight Glasses a Day, 2023
      • The Day After 100 degrees (August 25, 2023), 2023-
      • Might this be Water-time? 2022-2023
      • Wild Wild Water 2021-
      • When the Things We Study Respond to Each Other, 2022-
      • We Try to Domesticate, 2023
      • The Sink and the Drain, 2021-
      • Water Events, 2022-
      • untitled (water events), 2022
      • Tracing Water, 2021
      • Water Memories (floods), 2021-2022
    • Facescape >
      • books
    • The Other Side of Everyday, 2021
    • Where do we go from here?, 2020-2021
    • Storytellers, 2019
    • The Bird and the Flying Fish, 2019
    • Infinite, 2019
    • Contained (Contenuto), 2018
    • Contained (Contenuto)-installation, 2018
    • The Bedlam, 2015-2016
    • Zhangjiajie, 2017
    • Separation of Thoughts, 2016
    • Kan'duolhi ( coming home to El Niño) , 2016
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Where do we go from here?, 2020-2021
Paper, chalk, charcoal, pastels, acrylic on
Folding book made with recycled paper

 © 2025 Aishath Huda 

  • HOME
  • Work
    • WATER AS METHOD >
      • Eight Glasses a Day, 2023
      • The Day After 100 degrees (August 25, 2023), 2023-
      • Might this be Water-time? 2022-2023
      • Wild Wild Water 2021-
      • When the Things We Study Respond to Each Other, 2022-
      • We Try to Domesticate, 2023
      • The Sink and the Drain, 2021-
      • Water Events, 2022-
      • untitled (water events), 2022
      • Tracing Water, 2021
      • Water Memories (floods), 2021-2022
    • Facescape >
      • books
    • The Other Side of Everyday, 2021
    • Where do we go from here?, 2020-2021
    • Storytellers, 2019
    • The Bird and the Flying Fish, 2019
    • Infinite, 2019
    • Contained (Contenuto), 2018
    • Contained (Contenuto)-installation, 2018
    • The Bedlam, 2015-2016
    • Zhangjiajie, 2017
    • Separation of Thoughts, 2016
    • Kan'duolhi ( coming home to El Niño) , 2016
  • Bio
  • SELECTED PRESS
  • Contact