AISHATH HUDA
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Work
WATER AS METHOD
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Eight Glasses a Day, 2023
The Day After 100 degrees (August 25, 2023), 2023-
Might this be Water-time? 2022-2023
Wild Wild Water 2021-
When the Things We Study Respond to Each Other, 2022-
We Try to Domesticate, 2023
The Sink and the Drain, 2021-
Water Events, 2022-
untitled (water events), 2022
Tracing Water, 2021
Water Memories (floods), 2021-2022
Facescape
>
books
The Other Side of Everyday, 2021
Where do we go from here?, 2020-2021
Storytellers, 2019
The Bird and the Flying Fish, 2019
Infinite, 2019
Contained (Contenuto), 2018
Contained (Contenuto)-installation, 2018
The Bedlam, 2015-2016
Zhangjiajie, 2017
Separation of Thoughts, 2016
Kan'duolhi ( coming home to El Niño) , 2016
Bio
SELECTED PRESS
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Infinite, 2019
Video Installation on cotton,
From
The Bird and the Flying Fish
The National Art Gallery of Maldives, Male', Maldives
HOME
Work
WATER AS METHOD
>
Eight Glasses a Day, 2023
The Day After 100 degrees (August 25, 2023), 2023-
Might this be Water-time? 2022-2023
Wild Wild Water 2021-
When the Things We Study Respond to Each Other, 2022-
We Try to Domesticate, 2023
The Sink and the Drain, 2021-
Water Events, 2022-
untitled (water events), 2022
Tracing Water, 2021
Water Memories (floods), 2021-2022
Facescape
>
books
The Other Side of Everyday, 2021
Where do we go from here?, 2020-2021
Storytellers, 2019
The Bird and the Flying Fish, 2019
Infinite, 2019
Contained (Contenuto), 2018
Contained (Contenuto)-installation, 2018
The Bedlam, 2015-2016
Zhangjiajie, 2017
Separation of Thoughts, 2016
Kan'duolhi ( coming home to El Niño) , 2016
Bio
SELECTED PRESS
Contact